Oh, and she’s constantly attended by a raven. Possession gives Angela telekinesis and, for a time, the ability to compel others to commit murderous deeds. (Freud before faith is always the way in these matters.) Richards (Kathleen Robertson), the analyst assigned to treat what appears at first to be mere psychosis. Not only does this sulfurous intervention further spoil the party, it confounds Angela’s gruff, devout father, Roger (Dougray Scott), her perpetually confused boyfriend, Pete (John Patrick Amedori), and Dr. The plot - more of a plod, really - has the forces of the netherworld somehow grabbing hold of Angela during a hospital visit after she slices her hand while cutting a birthday cake. Here, the filmmakers are merely digging for gothic gravitas, an effect that would probably come across more successfully were Pope Francis not, characteristically, beaming with good humor. Movies with tight monetary constraints often have to resort to this sort of thing to achieve that “ripped from the headlines” feel. John XXIII and John Paul II, with images of the current pontiff thrown in for good measure.
This establishment, which looks like a mildewed Costco with stone walls, is chockablock with scraps of film and videotape as well as box after box of written material chronicling the church’s unending fight with Satan.Īs though to invoke an imprimatur by association, the picture opens with a montage that includes archival news footage of Sts.
The vatican tapes movies archive#
Martin’s conceit that, since the advent of motion pictures, circa 1900, the Vatican has maintained a secret visual archive - along with more traditional print files - on the subject of exorcism. The “tapes” of the title refer to screenwriters Christopher Borrelli and Michael C. Having been possessed himself when he was 12, His Eminence, it seems, is taking Angela’s case personally. They’re reinforced by sepulchral Cardinal Bruun (Peter Andersson). He’s a tough guy, a tattooed former military chaplain who maintains his dignity throughout - although he has little to say, either on his own behalf or that of the faith.Īppropriate histrionics come from the writhing object of his ministrations, Angela (Olivia Taylor Dudley). “The Vatican Tapes” avoids most of this and is somewhat reverent, with both a relatively straightforward ritual and a taciturn priest, Father Lozano (Michael Pena). At worst, the outworn trope degenerates into sacrilegious and grotesque parodies of Catholic religious practice. In most cases, the familiar big-screen sight of men in clerical collars battling demons - or in this instance, the Antichrist himself - swerves at least into broad caricature. With, perhaps, little funds for gore, director Mark Neveldine focuses instead on the Satan-subduing rite - always a popular spectacle with moviegoers - that takes up his film’s final 15 minutes. Well, in the case of “The Vatican Tapes” (Lionsgate), things could, conceivably, have been worse.
The release date of The Vatican Tapes is set to February 27, 2015.NEW YORK (CNS) - A low-budget exorcism flick whose lurid title attempts to mask bad plotting and wooden characters. Maybe Neveldine can hire one of those priests as consultant, LoL! Well, earlier this month the Vatican has formally recognized the International Association of Exorcists, a group of 250 priests in 30 countries who liberate the faithful from demons. The cast includes Kathleen Robertson, Michael Pena, Djimon Hounsou, Dougray Scott and John Patrick Amedori. Priests examine Holmes and believe she is possessed, but when the Vatican is called upon to exorcise the demon, the possession proves to be an ancient satanic force more powerful than they imagined.” Infection leads to erratic behavior, and she begins to have a devastating effect on anyone close, causing serious injury and death. “THE VATICAN TAPES follows the haunting tale of 27 year-old Angela Holmes, who accidentally cuts her finger and ends up in the emergency room.
The vatican tapes movies movie#
Check out the official plot synopsis of The Vatican Tapes, the upcoming horror thriller movie directed by Mark Neveldine (the man behind the Crank movie franchise):
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